Tunde was born in 1972 and is a product of a cosmopolitan city such as London. In North London's infamous Keskidee Centre, Britain's first Black Arts Centre, his appreciation of African Diasporic culture was initiated and nurtured. From an early age he was exposed to resident and visiting artists who worked in a multi-disciplinary mode such as: Bob Marley, Walter Rodney, Edward Braithwaite, Angela Davis and Linton Kwesi Johnson. It was here, his path as an artist began.
Tunde's apprenticeship in African music began in 1978 and was further developed in 1982 when he first went to the Gambia to study the ancient Griot tradition of West Africa, with the Master of the Kora (West African Harp-Lute) with Amadu Bansang Jobarteh. The Jobarteh family are one of five principle musician families within this unique hereditary Oral tradition, which dates back to at least the 13 th century.
His appreciation of Western Classical music began with his grandfather's love of Bach and by observing his work as a church Organist. Tunde also studied Cello from the age of 8 and over the years was taught by esteemed luminaries from the Classical world including: Alfia Bekova, Elma de Bruyne, Joan Dickson and Raphael Wallfisch at the Purcell School of music and later the Guildhall School of music.
In 1988 Tunde became fascinated with Jazz and worked and toured with ex-members of the Jazz Warriors founded by Courtney Pine & Cleveland Watkiss. He formed his own Jazz Ensemble with the sole purpose of exploring the connections between African and African Diasporic forms of music.
In 1991 he pioneered African Classical Music in the UK with the first ever national tour of the African Classical Music Ensemble, which nurtured his burgeoning composer credentials. In 1995 a BBC TV documentary, 'Africa I remember' was done on Tunde's music and centred-around his orchestral work. In this programme he performed new compositions alongside the London Sinfonietta, which was conducted by Markus Stenz.
With his now a fully fledged composer credentials, he was appointed as innovations composer for the Eastern Orchestral Board, facilitated his working with many of the major Orchestra's in the UK including: The Royal Philharmonic Orchestra, The Philharmonia, Britten Sinfonia, Viva Sinfonia, The London Mozart players and The Bournemouth Symphony Orchestra.
All these prestigious Orchestra's and ensembles were keen to play his original and highly evocative compositions. During this period, he was specially commissioned to write a Percussion Concerto for Evelyn Glennie and Double Orchestra, an Oratorio for the city of Milton Keynes and a string quartet for the Brodsky Quartet as a part of their Beethoven 1812 recording, which was released on the Vanguard label and is still being performed by them worldwide.
Over the years Tunde has kept his creative diversity intact by working closely with singers from a variety of genre's including: Opera, Pop, R'N'B, Reggae, Hip Hop, Spoken Word artists and Jazz vocalists. In 2002 he started ACM Productions with the primary goal of creating accessible quality productions across a small spectrum of genre's, namely: Urban, Pop, Classical and Jazz. For more information on all his work please visit Portfolio.